Captain Marvel Takes on Toxic Masculinity in New Deleted Scene

Captain Marvel may still be lingering in theaters, but if you want to watch it from the comfort of your own couch, good news! The film is coming to digital download May 28th, and the Blu-ray will be released on June 11th. The Blu-ray comes with six deleted scenes and plenty of bonus featurettes and behind-the-scenes content.

We’ve already seen a very cute deleted scene of Carol, Yon-Rogg and some baby Kree recruits. The scene is charming, but doesn’t give us much new information beyond what we already know.

However, the newly released scene “What, No Smile?” delivers exactly what we want from Captain Marvel, namely Carol kicking ass and taking down the patriarchy. The scene is extended to reveal what happens between the biker asking her to smile and Carol making off with his bike.

We meet the biker, who calls himself “The Don”, repeatedly ask Carol smile and offer her a ride on his bike. She offers him a superpowered handshake, which quickly brings the creep to his knees. “Here’s a proposition for you: you’re going to give me your jacket, your helmet, and your motorcyle, and in return I’m going to let you keep your hand.” After The Don acquiesces, Carol asks “what, no smile?” as he runs off.

Given that the scene is barely a minute long yet so satisfying, it’s surprising that it ended up on the cutting room floor. Frankly, I would watch two hours of Carol just slapping around gross dudes, but maybe I’m biased. Part of the appeal of a female superhero is seeing her answer everyday acts of sexism and harassment with superpowered aplomb. It’s wish fulfillment that every woman can get behind.

Marvel also released a second deleted scene, “Heading to Torfa” which captures some banter between the Starforce members.

The scene doesn’t deliver much in the way of exposition, just the team reminding Carol to keep herself stealthy and restrained. Minn-Erva calls her “twinkle-fists”, but that’s about it. The Starforce members are pretty thinly drawn in the film, and it did feel like a letdown to cast Gemma Chan for barely a few moments of screentime. Given the character’s presence and history in the comics, it’s disappointing that she won’t have a larger life in the MCU.

Other deleted scenes (that have yet to be released) include Yon-Rogg meeting with the Supreme Intelligence, Keller trying to track Carol and Fury, and a scene with Coulson helping Keller out of an “embarrassing situation”, whatever that may be. With a Captain Marvel sequel likely on the horizon, there is plenty of story to explore.

The sequel could follow Carol’s interstellar adventures between the ending of the first film and her return to Earth in Avengers: Endgame. It could also show her taking lead in the present day with the remaining Avengers. Brie Larson has said she wants the next film to introduce Ms. Marvel aka Kamala Khan into the MCU.

What do you hope to see in a Captain Marvel sequel?

(via ScreenRant, image: Marvel)

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Swamp Thing Delivers Gothic Horror and Southern Drama in Series Debut

andy bean and crystal reed in swamp thing.

DC Universe’s third original live-action series Swamp Thing is a departure from superhero shows as we know them. And that’s only right, as Swamp Thing himself is not your average brooding bro in a cape. Like Titans and Doom Patrol, Swamp Thing is similarly uninterested in telling a rote superhero story. But instead of leaning into gloomy grit or trippy humor, Swamp Thing leans heavily into horror, delivering a truly scary TV-watching experience.

The series’ blend of Southern Gothic and body horror, not to mention its Louisiana setting, will no doubt draw comparisons to HBO’s True Blood. But unlike the campy vampire series, Swamp Thing grounds itself in its human relationships and leans heavily on the inherent horrors swimming in the swamp.

the series centers on Dr. Abby Arcane (Crystal Reed) of the CDC’s Epidemic Intelligence Service, who is called back to her hometown of Marais, Louisiana to investigate a mysterious swamp-borne illness. While there, she meets unconventional scientist Alec Holland (Andy Bean) whose research into the swamplands has yielded disturbing results.

The pilot episode positions the series as a mystery, with Alex and Abby chasing down the cause of the illness, but quickly transitions into gross-out body horror when the afflicted bodies are overrun with a highly aggressive plant life. These scenes could easily be corny, but the series creates effective tension and scares from the animated vines and swamp ephemera.

The swamp itself plays like a character of its own well before Swamp Thing takes residence. Len Wiseman, who directed the pilot, brings shades of Evil Dead to the swamplands, leaning into the inherent creepiness of the locale. The night may be dark and full of terrors, but it’s got nothing on a Louisiana swamp teaming with alligators, insects, and unstoppable vegetation.

The series does an impressive amount of world-building in its first two episodes, establishing the town of Marais and the various dynamics at play. Abby left the town after a tragedy in her youth, and her return rattles the community, most notably the Sutherlands, the wealthy family who run the town. Played by Will Patton and Virginia Madsen, Avery and Maria Sutherland both wield influence and strength yet are haunted by their past and their connection to Abby.

Along with the Sutherlands, we are introduced to Sheriff Lucilia Cable (Jennifer Beals) and her son Matt (Henderson Wade) who still holds a torch for Abby. Swamp Thing artfully captures the claustrophobia of a small town, where everyone knows everyone and all the citizens are hiding secrets.

As with all shows set in the South, the accent work is all over the place. Most characters, including Abby, have forgone any attempts at an accent. Patton delivers a syrupy Southern take, while Beals tries for Cajun but lands closer to Bobby Boucher. As a Louisiana native myself, I may be judging these accents harsher than most. But after seven seasons of True Blood swinging for the fences accent-wise, I don’t mind a less theatrical take.

All this, and we haven’t even gotten to the pivotal turn of the series, namely Alec Holland’s tragic transformation into Swamp Thing (where Derek Mears takes on the role). The costuming and make-up work for Swamp Thing are excellent and very true to the comics, but what’s more important is the emotional and psychological horror of a man who finds himself transformed into a monster. There is pathos and emotion that shines through thanks to Mears’s performance and the make-up work that allows him to emote through the latex.

And ultimately, that’s what makes the series so effectively compelling. Swamp Thing leans into the humanity of the monster, yielding one of the most compelling and original comic book series to date.

Swamp Thing is available May 31st on DC Universe.

(image: Brownie Harris / 2018 Warner Bros. Entertainment Inc.)

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Things We Saw Today: This YouTube Trailer Mashes Up John Wick and The Matrix for a Nostalgic Good Time

A good parody trailer is truly a thing of beauty. But few of them are so well thought out and detailed as this Trailer Time Warp, “John Wick Chapter 6: Contingency”. Youtuber Journey’s End recreates an 80s style Cannon Films trailer in the mold of Death Wish, Lifeforce, and Breakin’ 2: Electric Boogaloo.

The trailer imagines a sixth John Wick film, where everyone’s favorite assassin finds himself in the post-apocalyptic wasteland of The Matrix. The trailer is lovingly detailed to look like a low budget masterpiece, from the synth-heavy score to a grizzled voice-over to de-colored, skipping image.

Given how increasingly outlandish the world of John Wick is, it’s hardly a stretch to imagine a future-set film in the franchise where Keanu Reeves is unfrozen to battle the machines. The trailer capitalizes on the films’ combination of Laurence Fishburne and Reeves, as well as both movies’ usage of the phrase “we’re going to need guns, lots of guns.”

The newly rebooted Wick has to contend not only with his painful puppy-filled memories, but will also undergo the upgrades and enhancements that made Neo such a formidable fighter. Is it weird that I want to watch this movie? Because I would totally watch this movie.

(via AVClub, image: YouTube)

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  • Stan Lee’s former manager Keya Morgan was arrested in elder abuse charges. (via AP News)
  • A student posts a compilation of the best moments from his chemistry class and the results are…explosive:
  • Bong Joon-ho became the first Korean filmmaker to win the Palme d’Or at Cannes with his film Parasite. (via Collider)
  • Put the controller down: the World Health Organization has just classified “gaming disorder” as a recognized illness. (via Kotaku)
  • Harrison Ford randomly name-drops Chris Pine as a potential Indiana Jones. We’re not mad about it. (via io9)
  • In the midst of Theresa May’s resignation, Downing Street’s most important resident is now answering questions:

What are you up to this holiday weekend, Mary Suevians?

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Stacey Solomon shares ADORABLE pictures of her sons meeting their new baby brother

Too cute!

Mandatory Credit: Photo by Ken McKay/ITV/REX/Shutterstock (9436004al)
Stacey Solomon
‘Loose Women’ TV show, London, UK – 23 Feb 2018
How old are your pants?
Speaking of how old things may or may not be, we were howling at a Mumsnet post we saw today when a woman posted that she has a pair of knickers that are a whopping 23 years old! Tune in to find out what our women think of this out-of-date wardrobe choice – total pants or practical?

New mum Stacey Solomon looks super excited to be introducing her two sons Zachary, 11, and Leighton, six, to their new baby brother.

What a special moment for Stacey’s adorable family!

Things have been hectic for the Loose Women, 29, star, who gave birth to her first child four WEEKS early on Thursday. But after what must have been a whirlwind few days, both mum and baby look to be doing brilliantly.

More: Stacey Solomon breaks her silence after third child ‘flew out of her’ earlier than planned

Despite being a lot earlier than planned, Stacey’s birth was reportedly a swift one.

”It was amazing, I feel like he flew out of her,’ said sister Gemma when she called in to update the Loose Women ladies on Stacey’s progress.

‘She was saying it was hours, but I got into work at 8, he was born 10:01, so I thought, “That was pretty quick!” He just came so quick I couldn’t help.’

Husband Joe Swash, 37, posted a picture of his wife and baby, shortly after the birth, with this emotional caption: ‘This morning. A lot earlier than planned I watched the love of my life, bring a new life into the world. We are overwhelmed, overjoyed and apprehensive of what’s to come.

‘Mummy and baby are well and resting. We are so grateful for all of the love, support and positivity we’ve received over the last 8 months. I’m lost for words to describe how I’m feeling. So for now, I’m going to spend the next few days and the rest of my life falling more in love with these two humans.

More: Former TOWIE star Chloe Lewis announces baby news 

‘I didn’t think it possible but, today I witnessed the impossible. My partner, My love, my life, you are a super human. I am forever in awe. Joe X.’

But Stace seems to have bounced back with ease, playing up for the camera while Joe snapped away, capturing her sons encountering their new sibling for the first time.

More: Peter Andre and wife Emily look more in love than ever

In the first pic, Stacey is pictured giving her boys a big kiss while breastfeeding her newborn. In the second, it shows the boys looking down at their baby brother, while Stacey gazes adoringly at the scene. Cuties!

View this post on Instagram

Good morning sonxxxxx

A post shared by Joe Swash (@realjoeswashy) on

Stacey captioned the pictures: ‘My sons… Thank you Daddy for taking these perfect pictures. I love you.’

Congrats on your lovely little family, guys! And good luck to with three little ones to run around after…

The post Stacey Solomon shares ADORABLE pictures of her sons meeting their new baby brother appeared first on CelebsNow.

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78-Year-Old Pop Music Legend Dionne Warwick Dragged on Twitter for Saying Beyoncé is NOT an Icon (Yet)!

Twitter and the BeyHive are out here dragging Dionne Warwick!

The legendary singer is getting swarmed and stung after saying Beyoncé hasn’t reached icon status just yet.

“I love her to death and can appreciate her talent. But that iconic status? It’s a long road [ahead].”

Warwick spoke with Essence to promote her upcoming album, She’s Back.

The 78-year-old who has “58 years of chart-topping classics,” was asked if she thinks any of today’s music will be considered classics and if there are any icons in the mix.

She laughed and responded with a firm “Not yet.”

“I don’t know if 10 years from now, anybody can actually sing the songs of our babies today. That’s not, as you guys say, ‘throwing shade,’ it’s looking at it with reality,” she explained.

And while she certainly admires Beyoncé, Warwick isn’t ready to anoint Queen Bey as an icon.

“Watching her grow has been quite refreshing. It’s wonderful to see how she’s been able to create what and who she wanted to be and who she is…very proud of that, I really am. Now, sustaining and becoming a big icon that Gladys Knight, or Patti LaBelle, or Johnny Mathis, or Frank Sinatra, or Sammy Davis Jr. is? I doubt that.”

Once Warwick’s comments went viral, Beyoncé fans began to drag the legendary singer, making “Dionne Warwick” a trending topic.

Despite the dragging, many were quick to put some respect on Dionne Warwick’s name.

Warrick took to Twitter to clarify her comments, which she said was misconstrued by Essence.

“It takes a long time to reach and achieve iconic status. That’s not to say that Beyoncé isn’t well on her way,” Warwick wrote. “She is a gifted performer.”

78-Year-Old Pop Music Legend Dionne Warwick Dragged on Twitter for Saying Beyoncé is NOT an Icon (Yet)! is a post from: Gossip On This – Pop Culture, News & Videos

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Elton John Wearing a Sparkly Rocketman Suit for the Movie Premiere Is a Mood

Elton John in Cannes

Listen, I also would wear blazers with different references to the song “Rocket Man” all over them, and I didn’t even write the song. At the premiere for Rocketman at Cannes, Elton John pulled out all the stops, meaning that he wore multiple blazers with various symbols and variations of “Rocket Man” on them, and I maybe want them all?

From a powder-blue suit to his two different rocket-themed jackets, Elton John was there and ready to support the movie-musical telling of his life story.

Rocketman, which is a truly beautiful picture of Elton John’s life, is also the first major studio film to have a sex scene between two men in it, a fact that Taron Egerton wants everyone to talk about.

As Egerton points out, we wouldn’t be having this conversation if it were a heterosexual love scene, but because it’s two men, there seems to be some sort of controversy surrounding its inclusion in the movie, which is hilarious if you know anything about Elton John.

According to Digital Spy, Egerton was adamant that the public (a) should know that the sex scene between Reid and John was not cut from the movie, and that (b) he wants audiences and people to talk about the scene because it’s important to who Elton John is. Talking with Attitude, Egerton also expressed how the sex scene between John Reid and Elton John was addressed.

“This is the scene of Elton losing his virginity and we wanted to try to do that justice. I treat it with the same love, care and affection I would as if it was my first experience of falling for somebody.”

Elton John is forever an interesting figure in our pop cultural zeitgeist, and Rocketman honors him in a very beautiful way.

But also, can Gucci make me some of those blazers?

(image: Vittorio Zunino Celotto/Getty Images for Paramount Pictures)

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I’m Not Sure Whether to Be Excited or Nervous About the Old Republic Star Wars Trilogy

A Jedi and Sith do battle in this still from Star Wars: Knights of the Old Republic

It turns out, those earlier rumors of an “Old Republic” film in the Star Wars universe were right, but it’s not the Game of Thrones showrunners who are behind it. Last night, Buzzfeed News dropped a major scoop: yes, Knight of the Old Republic is being developed into a film, according to three sources they didn’t name, but it will be written by Laeta Kalogridis, who will be the second woman to pen a Star Wars film after Leigh Brackett cowrote The Empire Strikes Back. 

Kalogridis was an executive producer on Avatar, and penned or cowrote films and shows like Shutter Island, Alita: Battle Angel, and Altered Carbon. Buzzfeed reports that she was first hired in spring 2018 and is nearing completion on the first script of a planned trilogy based on the popular video game. This trilogy will join the likes of the David Benioff and D.B. Weiss’ trilogy and the Rian Johnson trilogy.

If you thought Star Wars was dead, you have not been paying attention. The short hiatus between the end of the Skywalker Saga this December and the first of the Benioff and Weiss films in 2022 is not sign that Disney is pulling the plug on the franchise, but rather, a smart decision to space out the events that are Star Wars films. It makes sense that Lucasfilm is planning multiple trilogies, as the brand keeps making money.

Kalogridis is an interesting choice, and one that I think will invite a lot of discussion. On the one hand, she’s a female producer and writer, something this franchise has desperately needed; it’s telling that Lucasfilm hasn’t hired a woman to tell the onscreen stories of women like Rey, Jyn, or Qi’ra. On the other hand, her IMDb credits don’t always inspire the most confidence, and she was nominated for a Razzie at one point.

I have seen several of Kalogridis’s films. I loved Shutter Island, but Pathfinder and Terminator Genysis left me cold. I want to support the first woman writing one of the new Star Wars films, but I’m cautious as I am not the biggest fan of her work. This presents me with a bit of a conundrum, as I have long pushed for a female writer to join the new Star Wars universe.

We’ve covered a lot about white men failing upwards despite a series of bad films or flops, while Kalogridis was an executive producer on Avatar, which is still the highest-grossing film of all time, so it’s easy to see why she’d be tapped. She was also fired from the NBC remake of Bionic Woman because “I was told that I don’t know how to write women, and they promptly replaced me with a guy,” and was apparently brought on by Warner Bros. to assist with a 2005 rewrite of Wonder Woman, back when the project was attached to Joss Whedon.

Whatever my worries are, the most important thing is that I could be very wrong on her ability to handle this project. She could be a lifelong KotOR fan who is the perfect choice, and I shouldn’t write her off just because she’s made some bad films. There are plenty of male directors who’ve made bad films who’ve gone on to make good franchise projects, so to write her off immediately, I would be part of the problem.

Unlike David Benioff and D.B. Weiss, who have proven themselves to be the antithesis of Star Wars, I’m more willing to give a female writer a second shot when she’s dealt with sexism throughout her career. Kalogridis could very well be the perfect writer for the project, and I’m excited to see how the story unfolds and whether or not we get a female director for the project as well. This could be the start of a more inclusive lineup behind the camera, and I’m hopeful it will all pan out.

(via Buzzfeed News, image: Lucasfilm)

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Sonic: The Hedgehog Slowing Down to a Valentine’s Day 2020 Release Date to Fix Sonic’s Look

CGI Sonic the Hedgehog's terrifying human teeth as he screams at the horror of his existence.

Following backlash, director Jeff Fowler responded to the feedback and said that the production would be working to correct the uncanny valley horror that was Sonic with human teeth. The statement only brought up new concerns, including questions working conditions for the artists who would be forced to pull it off in time for the release date of November 8, 2019. Now, the movie’s release date has been officially delayed for the changes.

Fowler shared the news on Twitter, with a graphic of Sonic’s hand holding up a sign with the new release date of February 14, 2020.

I love the hashtag #novfxartistswereharmedinthemakingofthismovie, which seems like it’s trying to address that concern about the people behind the scenes who are going to be putting this movie together. io9 spoke with (non-Sonic-affiliated) Ilion Animation Studio character supervisor Juan-Luis Sanchez, who told them, “If they took nine months to build a character, it’s two to three months of reworking before you can even put the character back into shots again.”

Sanchez also said, “From the design, to the modeling, to the rigging—putting in the skeleton—testing out the skeleton, putting in the fur, lighting, it … all of that work is easily nine months. And that’s without major design changes, or changes in the story along the way.”

Throughout all of this, at least publicly, Fowler has taken this like a champ. It’s hard to watch people dog on your film, especially in such a harsh way, and being able to take that in stride and accept legitimate criticism is a skill more directors and artists should have. In that regard, I’m already more excited to see this movie because at least I know the product is being made by someone who isn’t an a-hole.

Well, unless the VFX artists say something else from the inside. The response has been positive from fans, who are already incorporating Valentine’s Day memes into the new release date.

Looks like we got the perfect date movie next Valentine’s Day. 2020: a new president-elect (hopefully) and a new Sonic.

(via io9, image: Paramount Pictures)

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Lol Like Thanos Could Beat Carol Danvers or Wanda in a Fair Fight

Brie Larson as Carol Danvers

**Spoilers for Marvel’s Avengers: Endgame.**

Sometimes, we make mistakes and this is that time for CBR. Sharing an article stating that Thanos is the strongest character in the Marvel Cinematic Universe, the comics news site kicked off a Twitter firestorm as fans came out of the woodwork to remind them that both Wanda Maximoff and Carol Danvers went head-to-head against Thanos and he struggled against both of them.

Sure, he wound up overcoming them long enough to almost perform another snap, but only with outside assistance, including the literal most powerful object in the universe. So, how exactly is Thanos stronger than Carol if he had to use the Power Stone to compete with her?

To be quite honest, it just shows the (a) sexism exhibited by fans of the series, and (b) that the author didn’t care about the battles against women that Thanos lost. Sure, fine, there was a lot happening in that movie and that final battle in particular, but it sure feels like a targeted attack against Carol Danvers to say that she isn’t the strongest when she clearly could have taken down Thanos had he not had an assist from the literal most powerful object in the universe.

If that makes him stronger, I’d be stronger than anyone in a hand-to-hand fight if I got to hit you over the head with a log. If we’re going to talk about who’s the strongest character, bringing additional aid into it makes the whole thing pointless, hence Steve Rogers and Tony Stark are not part of this conversation. Thanos was killed by Tony Stark wielding the Infinity Stones, so it’s kind of hard to see how he’s allowed to count them as part of his personal strength.

Besides that, Carol Danvers defeats Thanos not once but twice, so like check yourself, haters. Remember when she flew into his hut and held him in place for Thor to land the attack he should’ve in Infinity War? Because I sure do!

Thanos is far from the strongest character in the MCU, but also, the MCU is filled with exceptionally strong beings. They all play to their strengths, and really, to compare any of them is hard. Steve might not physically be the strongest, but he is the one with the biggest heart. Tony Stark may not have superpowers, but he uses his extreme intelligence to be the strongest leader.

Each character is strong and important, and Thanos is the weakest among them because of his selfishness and inability to feel compassion towards people. So …

(image: Marvel Entertainment)

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A New Spider-Man: Far From Home Trailer Means More Tears

Peter Parker (Tom Holland) reflects in a quiet moment from the Spider-Man: Far From Home trailer.

**Spoilers for Marvel’s Avengers: Endgame.**

“Stark made you an Avenger. The world needs that,” is what Nick Fury says to Peter Parker in the latest trailer for Marvel and Sony’s Spider-Man: Far From Home, and it drives home the message that he’s continuing to be a hero for Tony Stark. Between that and Peter worried about not getting home to MJ, this movie might be attacking my heart in more ways than one.

From the previous trailers for Far From Home, we’ve seen how Peter Parker is coping with Tony’s death. He’s trying to understand a world without his mentor, and that means coping with the repercussions of Avengers: Endgame. From the dawning of Peter and Tony’s relationship, it seemed as if Tony was filling the role of a father figure, and Peter was the child that Tony never had (before Morgan Stark was born, anyway).

With his death in Endgame, Peter has to cope with not only the loss of his mentor by taking on the burden of being the Iron Man that the world needs—after all, Thor, Steve Rogers, and Tony Stark are all gone, and the Hulk is permanently (for the foreseeable future) injured. With each new trailer we get, we can see that it isn’t exactly the easiest for Peter to cope with. Nick Fury even has to tell him that the world needs him as an Avenger. He doesn’t have to be Tony Stark (“I wanted you to be better”), but who knows what Spider-Man: Far From Home is actually going to give us.

Probably just a lot of pain.

What I do love in the trailer, though, is the clear connection between Peter Parker and Zendaya’s MJ. Michelle, who we found out at the end of Spider-Man: Homecoming goes by MJ, told Peter in the second trailer that she knows he’s Spider-Man, a twist for the character, since most every version of Peter keeps that part of his life from MJ until later on.

But in this trailer, Peter is clearly showing his feelings for MJ in a different way, exploring what it means to like her while putting his life on the line.

I also maybe started crying at the moment Peter and MJ see each other and hug.

Spider-Man: Far From Home is certainly going to be a lot for us to handle after Avengers: Endgame, but honestly, I can’t wait.

(image: Marvel Entertainment)

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